Burna Boy, the iconic Nigerian musician, has teamed up with Byron Messia for a profound and riveting new track titled “Taliban’s 2.” This song, which is the 15th track on “I Told Them,” produced by Ej Fya, Spaceship Billy & Kelly Beatz, is full of intense imagery and symbolism.
Let’s dive into the meaning behind the lyrics and what this track represents in Burna Boy’s ever-evolving discography.
Burna Boy’s Connection to His Roots
Burna Boy’s verses are peppered with references to different locations, from Saint Kitts to Trinidad, reflecting his global influence and connections. Yet, he’s never afraid to return to his Nigerian roots, as seen in the line:
‘Cause wọn kéré nínú ayé
This Yoruba phrase can be translated as “because they are jealous of the world,” perhaps highlighting the jealousy Burna Boy experiences from those who see his success.
The Chorus: A Warning and a Stance
The chorus of the song is filled with bravado and confidence:
Tell a pussy we no laugh up We no take talk Violate, people a dead dawg Should a keep in your bed ’cause the Talibans them a make walk
These lyrics present a warning and a stance against those who would oppose or disrespect him. It’s a common theme in music, but Burna Boy delivers it with an edge that makes the track stand out.
Byron Messia’s Contribution
Byron Messia’s presence in the song adds another layer of complexity, offering raw energy and echoing the theme of power and control. Together with Burna Boy, they paint a vivid picture of strength and defiance.
Burna Boy – Taliban’s 2 Lyrics Meaning
[Intro: Byron Messia]
Da-da-da-da Da-da Yow Kellz
Annotation: This rhythmic intro sets the tone for the song, using simple sounds to build anticipation. “Yow Kellz” is likely a shoutout to Kelly Beatz, one of the song’s producers.
[Verse 1: Burna Boy]
Link with the killy them Saint Kitts to Trinidad Big up the whole a them ‘Cause wọn kéré nínú ayé
Annotation: Burna Boy is establishing a link with the “killy,” a slang term for killers or real people, spanning from Saint Kitts to Trinidad. The Yoruba phrase reflects the value he places on these unique connections.
Anything I do Headline news even wetin I no do Them go say, “I do” Nothing but the truth when I step up in the booth
Annotation: He reflects on how his actions, even those he hasn’t committed, become headline news. His commitment to truth in his music is emphasized.
No lie, my life no be small thing Remember last Christmas Santa Claus give me the glizzy with the switch, dawg So some people no go see this Christmas Man them a crosses, most of them not even Christians
Annotation: Burna Boy uses metaphorical language to describe receiving a “glizzy” (gun) from Santa, a symbol of survival. The reference to Christmas contrasts with a warning about false friends (“man them a crosses”).
Click-bang, body sinking like the quicksand Ztekk full of bomb like Afghanistan
Annotation: Violent imagery conveys the danger and chaos in certain situations. “Ztekk” could refer to a weapon, and Afghanistan symbolizes conflict.
[Pre-Chorus: Byron Messia]
And everywhere me carry it ’cause me know the enemy them a pree And me know them nah sorry for me People a bawl and a scream ’cause we bad and we mean Bloody crime scene, calamity A so we shoot out brain fi go Canada, G Make your marrow experience no gravity
Annotation: The pre-chorus emphasizes readiness to face enemies and a grim reality. The lines are filled with metaphors for being relentless and aggressive.
[Chorus: Burna Boy]
Tell a pussy we no laugh up We no take talk Violate, people a dead dawg Should a keep in your bed ’cause the Talibans them a make walk We no laugh up We no take talk Badness a weh we endorse We no shoot people fi end up in a Red Cross
Annotation: The chorus is a clear stance against weakness and a warning about consequences. The Taliban reference symbolizes a fearless approach. The mention of the Red Cross contrasts the idea of violence with humanitarian aid.
[Verse 2: Byron Messia]
Yow, Talibans Like them need reassurance Make unuh sleep a yuh yard in a four months A so we make people a moan out Like gyal a get fuck down a whore house Laff boss full a ‘K, that me sure ’bout And if you see me travel with a 9X A no no politician weh me a go vote out Four killer, four seat and four rounds
Annotation: Byron Messia’s verse brings a bold and raw energy, comparing their confidence and aggression to the Taliban. The reference to politicians may indicate disillusionment with political systems. The repetition of “four” symbolizes a readiness for conflict.
[Verse 3: Burna Boy]
Them want the tea like Lipton All of the best pumpum deh yah Kingston So me buy a Birkin fi Jada Kingdom Some people vex how me phone get ring down Me too rich now, so me buy six more Mhm, what’s the plan? ‘Cause I’m real to my skeleton (Real to my skeleton) If you insult my intelligence then I make the sparks fly like electrician Lock off traffic, all tragic, bare panicking Freeze up like mannequin Now, you can’t manage when pellets them traveling (Brrt)
Annotation: Burna Boy discusses success, wealth, and authenticity. The reference to “tea like Lipton” is metaphorical for gossip or intrigue. The line about “sparks fly like electrician” stands for confrontation. Overall, this verse is about self-assurance and defiance.
[Chorus: Byron Messia]
Tell a pussy we no laugh up We no take talk Violate, people a dead dawg You should a keep in a your bed ’cause the Talibans them a make walk We no laugh up We no take talk Badness a weh we endorse We no shoot people fi end up in a Red Cross
Annotation: Repeating the chorus emphasizes the song’s core messages of strength, refusal to back down, and readiness to confront life’s challenges.
[Bridge: Byron Messia]
Da-da, da-da Da-da, da-da Da-da, da-da Da-da, da-da Da-da, da-da Da-da, da-da Yow Kellz
Annotation: The bridge returns to the intro’s simple rhythmic pattern, creating a pause and a connection between the song’s themes. It’s like a moment of reflection before the final push.
[Outro: Byron Messia & Burna Boy]
Tell a boy we no laugh up We no take talk Violate, people a dead dawg Mhm, me wan’ know a weh your head gone You should a keep in your bed ’cause We no laugh up We no take talk Yow dawg, we a make war, yow Tell a boy we no laugh up Anything a weh you get dawg
Annotation: The outro reinforces the song’s themes and serves as a final warning. The collaboration between Burna Boy and Byron Messia in these lines reflects unity and shared values.
Conclusion
“Taliban’s 2” by Burna Boy & Byron Messia is a powerful and complex song that explores themes of unity, defiance, authenticity, and readiness to face life’s challenges. Every line, filled with metaphorical language and cultural references, adds depth and meaning to the song.
FAQ
1. What is the meaning of the song “Taliban’s 2”?
The song explores themes of power, defiance, and connection to one’s roots.
2. Who are the producers of “Taliban’s 2”?
Ej Fya, Spaceship Billy, and Kelly Beatz produced the track.
3. What album is “Taliban’s 2” part of?
It’s part of the album “I Told Them.”
4. Where can I find more information about Burna Boy?
Visit MandyNews.com for more about Burna Boy and other artists.
5. What language does Burna Boy use in the song?
He uses English and Yoruba, reflecting his Nigerian heritage.
6. What’s the reaction to “Taliban’s 2”?
The song has been well-received for its strong lyrics and production.
7. Are there any collaborations in the song?
Yes, Byron Messia collaborated with Burna Boy on this track.
8. What other artists are similar to Burna Boy?
Artists like Wizkid and Davido have similar styles.
9. Where can I find more Nigerian music news and insights?
MandyNews.com is a great source for Nigerian music news.
10. Is there a music video for “Taliban’s 2”?
Yes, there’s an official music video for the track.
Share your story with us! Email MandyNews1@gmail.com
Source: MandyNews.com
