Travis Scott’s latest album, UTOPIA, is filled with sonic gems and, without a doubt, “Meltdown” stands out as one of the most complex and compelling tracks. It features Drake and is produced by an elite team including Coleman, BNYX®, Boi-1da, Vinylz, Tay Keith, and Skeleton Cartier.
The track is an intricate tapestry of lyrical prowess, vibrant instrumentation, and complex themes. In this article, we will dive into the underlying meanings of the lyrics and the significance of Drake’s feature in this musical tour-de-force.
Travis Scott’s “Meltdown” is a three-part epic that escalates in tempo, culminating in a crescendo at the end of the first part. The lyrics convey a narrative of superiority in the music industry, with both Scott and Drake alluding to a self-aggrandizing ‘God-complex’. This is consistent with the album’s overarching theme of defiance against the devil.
“MELTDOWN,” a three-part track that sees the tempo of the track rising until it reaches its untimely climax and the end of part one, sees Travis Scott recruit Drake as they both rap about their superiority in the music industry while the artists give themselves a God-complex, fitting with the theme of the album which is against the Devil.
Drake’s Verses

In the first part of the track, Drake commands the stage with a cold and raspy cadence, seemingly sending subliminal shots at several artists including Pharrell Williams and Pusha T. Drake’s bars carry significant weight given his standing in the music industry and his history with the aforementioned artists.
Drake fired scathing bars targeting Pharrell’s newly appointed position as men’s creative director for Louis Vuitton, a title held by the late Virgil Abloh — a friend of the OVO commander. “Man, f–k all that spinning the narrative s–t/ I melt down the chains that I bought from your boss,” spews Drake in the latter half of his verse, taking slight aim at Pusha’s relationship with Pharrell.
In an additional layer of commentary, Drake alludes to Pharrell’s new role at Louis Vuitton and his relationship with the late Virgil Abloh. Drake’s choice of words adds a personal and emotional aspect to his bars, offering insight into his own perspective on the music industry’s politics.
In the lyrics, Drake also references a lawsuit with Vogue, adding another dimension of controversy and intrigue to his verses.
Drake and 21 settled with Vogue earlier this year after using a faux cover to promote their album, Her Loss, last November.
Travis Scott’s Verses

In the second part of the track, Travis Scott maintains a similar beat and cadence to Drake’s, which he later switches in the third part, slowing down his rhythm. His lyrics evoke strong imagery and incorporate references to pop culture, sporting icons, and other rappers, adding a further layer of complexity to the narrative.
The boy going Lionel Messi, I go Tom Brady (Woo) Used to wear the bust down back in my old days (Woo) Now I let the chains hang, you gotta tuck yours maybe (Tuck it, tuck it)
Throughout the track, both artists expertly weave intricate metaphors and bold claims, masterfully displaying their lyrical prowess and asserting their dominance in the music industry. This triumphant narrative aligns with the album’s grand theme and contributes to its overall impact.
Conclusion
“Meltdown” is not just a track; it is an audacious statement of power and dominance in the music industry. Both Drake and Travis Scott skillfully wield their lyrics as weapons, asserting their superiority and commanding respect. While the beats are electrifying, the real potency of “Meltdown” lies in its carefully crafted lyrics and the intricate narratives they weave.
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